art-of-swords

art-of-swords:

European Sword

  • Maker: unknown
  • Dated: 1300-1350
  • Culture: probably made in Italy, Europe
  • Medium: steel [blade]; blackened iron, copper alloy [hilt]; wood and leather [scabbard]
  • Measurements: overall length: 42 15/16 inches (109.1 cm). Blade: 36 inches, 2.6 lb. (91.4 cm, 1.16 kg). Pommel: 2 1/16 inches, 1 3/8 inches (5.3 × 3.5 cm). Blade length: 35 15/16 inches (91.3 cm). Blade width: 2 1/8 inches (5.4 cm). Quillon width: 6 3/4 inches (17.2 cm). Quillon block depth: 9/16 inches (1.4 cm)

The sword features Arabic inscriptions at the base of the blade, but it was probably made in Europe for the Middle-Eastern market.

Source: Copyright © 2014 Philadelphia Museum of Art

i-will-always-be-better-than-you
While all of us can celebrate the return of the charmingly geeky, super enthusiastic field trip champion, Ms. Frizzle’s renewed presence in American living rooms is especially important for women and girls. That’s because, despite Ms. Frizzle’s unstoppable energy and daring thirst for adventure, real-world examples of her character — women who rock the science field — are lacking.
designed-for-life

Fresh Family Home In Singapore

designed-for-life:

Terrace House by Architology

Homes that integrat the indoors and outdoors seamlessly are some of my absolute favourites, and this Singapore home has got that edge. Combining textures, clean lines and organic elements, like the green wall ― a great way of incorporating the outdoors when you don’t have a backyard, the beautiful wooden surfaces of the dining room, with contemporary features, creates a cohesive and serene vibe to a beautiful space.

Enjoy the virtual tour!

babylonfalling

babylonfalling:

The Children of Vietnam-II, Ramparts (1970)

In January 1967, we printed a photographic essay on children of Vietnam who had suffered horrible disfigurement as a result of the American presence in their country. At that time we were criticized for “tastelessness” in printing stark images of their suffering—skin melted by napalm, sightless eyes, limbs shattered almost beyond recognition. Our response, of course, was that these children were victims not of bad taste, but of an unconscionable war. In the following feature, compiled by French journalist Claude Johnes, we are again taking up the subject. These children’s drawings and their brief, impressionistic thoughts on scenes from what has become daily life, show that violence of the war is subtle as well as grotesque.

1, 2, 3, 4

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